Association Comments Page
A Glossary of Photographic Terms - Compiled by Christopher John Ball
(1) Something that prevents light from being brought into sharp focus.
(2) Lens flaw - the inability of a lens to reproduce an accurate, focused, sharp image. Aberration in simple lenses is sub-categorized into seven types:
• Astigmatism - lines in some directions are focused less sharply than lines in other directions,
• Chromatic aberration or Axial chromatic aberration - different wavelengths of light coming into focus in front of and behind the film plane, resulting in points of light exhibiting a rainbow-like halo and reduction in sharpness,
• Coma - the image of a point source of light cannot be brought into focus, but has instead a comet shape,
• Curvilinear distortion - distortion consisting of curved lines,
• Field curvature - the image is incorrectly curved,
• Lateral chromatic aberration also known as Transverse chromatic aberration - variation in the magnification at the sides of a lens (this aberration type used to be termed “lateral colour”),
• Spherical aberration - variation in focal length of a lens from centre to edge due to its spherical shape - generally all parts of the image, including its centre.
The effects of lens aberration usually increase with increases in aperture or in angle of field.
On the emulsion surface of the film are caused by scratching. It can be due to traces of dirt trapped between layers of film as it is wound on the spool, dirt in the film holder or grit on the pressure plate
In theory, a material that perfectly reflects all light energy at every visible wavelength. In practice, a solid white known spectral data used as the " reference white " for all measurements of absolute reflectance.
Occurs when light is partially or completely absorbed by a surface, converting its energy to heat.
In the photographic sense, an image that is conceived apart from concrete reality, generally emphasizing lines, colours and geometrical forms, and their relationship to one another.
Is a chemical added to a developer solution to speed up the slow working action of the reducing agents in the solution.
An add-on to a computer; a peripheral like a mouse or a printer. Something not central to the computer's operation.
Is a metal or plastic fitting on the top of the camera which support accessories such as viewfinder, rangefinder, or flash gun. The term " hot shoe " is sometimes uses as an alternative to accessory shoe.
Non-inflammable base support for film emulsions which replaces the highly inflammable cellulose nitrate base.
Is a chemical used for stop bath which stops the action of the alkaline developer.
A solvent chemical used in certain processing solutions that contain materials not normally soluble in water.
Is a lens system that has been corrected for chromatic aberration.
Is a substance used in acid fixer to help harden the gelatine of the emulsion.
A measure of the sharpness with which the film can produce the edge of an object.
Is a circular mount, available in several sizes enabling accessories such as filters to be used with lenses of different diameters.
This is a set of colours selected to represent, as closely as possible, the colours in the original source image.
Red, Green, Blue; The 3 colours used to create all other colours when direct, or transmitted light is used .They are called additive primaries, because when those are superimposed they produce white.
A camera with manually adjustable settings for distance, lens openings, and shutter speeds.
A lens that has adjustable distance settings, as apposed to fixed focus. These lenses can be manual or auto focus
Photo System (APS)
A new standard in consumer photography developed by Kodak and four other System Developing Companies - Canon, Fuji, Minolta and Nikon - based on a new film format and photo-finishing technologies.
Kodak brand name that identifies the Advanced Photo System.
Keeping photographic chemicals (developer, stop bath, or fixer) in a gentle, uniform motion whilst processing film or paper. Agitation helps to speed and achieve even development and prevent spotting or staining.
Clear areas, usually circular, on film, produced by bubbles of air trapped on the film during development. They are caused by insufficient agitation while developing the film.
Denotes the degree of alkali in a solution, measured in pH values. All values above pH 7 are alkaline.
The name sometimes given to available light that completely surrounds a subject, sometimes called 'wrap around'. Light already existing in an indoor or outdoor setting that is not caused by any illumination supplied by the photographer.
Soluble reducing agent which works at low pH values
Is a compound lens which has been corrected for the lens aberration " astigmatism ".
When light strikes a surface it forms an angle with an imaginary line known as the : normal, which is perpendicular to the surface. The angle created between the incident ray and the normal is referred to as the angle of incidence.
of flash coverage
The measurement in degrees of the angle formed by lines projecting from the centre of the flash to the extremities of the field of coverage.
The area of an image that a lens covers. Angle of view is determined by the focal length of the lens. A wide-angle lens (short-focal-length) includes more of the scene-a wider angle of view-than a normal (normal-focal-length) or telephoto (long-focal-length) lens.
Is a rating for photographic materials devised by the American National Standards Institute.
Constituent of a developer that inhibits or reduces fogging during development.
A dye used on backs of most films capable of absorbing light which passes through the emulsion. This way it reduces the amount extraneous light can be reflected from the camera back through the emulsion.
One or more thin layers of refractive material ( often magnesium fluoride ) coated upon the surface of a lens to minimize surface reflection. It is deposited on the lens by vaporization of the metal in vacuum.
The opening in a camera lens through which light passes to expose the film. The size of aperture is either fixed or adjustable. Aperture size is usually calibrated in f-numbers-the larger the number, the smaller the lens opening.
An exposure mode on an automatic or auto-focus camera that lets you set the aperture while the camera sets the shutter speed for proper exposure. If you change the aperture, or the light level changes, the shutter speed changes automatically. Apart from the sport or action arena, aperture priority is the most common & effective automatic preference in photography. It can also explained as automatic exposure system in which the lens aperture is set by the photographer, and the camera sets the shutter speed. Can be used in the stop-down mode with any lens that does not interfere with the metering system.
A ring, located on the outside of the lens usually behind the focusing ring, which is linked mechanically to the diaphragm to control the size of the aperture; it is engraved with a set of numbers called f-numbers or f-stops.
Is a lens which has been corrected for spherical aberration.
The inability to bring light of all colours to the same plane of focus is known as chromatic aberration. Light refraction is a function of wavelength, and as such each colour is normally brought to as lightly different plane of focus. By using complex lens designs, special glass materials and coating, designer can bring the colours within a much narrower focus. When such a lens is designed it is said to be Apochromatic.
An image meant to have lasting utility. Processed to exacting standards and often toned with selenium or gold. Archival images are also often stored digitally at a high resolution and quality. The file format most often associated with archival images is TIFF, or Tagged Image File Format, as compared to on-screen viewing file format, which are usually JPEG's and GIF's.
Processing designed to protect a print or negative as much as possible from premature deterioration caused by chemical reactions.
Generally the term refers to light specially set up by the photographer, such as flash or photo lamps. Photographic emulsion have different sensitivity to daylight and artificial light, and film may be rated for either type.
An absolute term indicating a film's sensitivity to light. The letters stands for American Standards Association . The term as been replaced by ISO standing for International Standards Organization.
The ratio of width to height in photographic prints - 2:3 in 35 mm pictures to produce photographs most commonly measuring 3.5 x 5 inches or 4 x 6 inches; Advanced Photo System cameras deliver three aspect ratios as selected by the user.
A lens whose curved surface does not conform to the shape of a sphere; lenses are usually ground or molded with spherical surfaces; because a spherical surface lens has difficulty in correcting distortion in ultra-wide-angle lenses or coma in large-aperture lenses brought about by spherical aberration, an Aspherical lens is used.
A lens aberration or defect that is caused by the inability of a single lens to focus oblique rays uniformly. Astigmatism causes an object point to appear as a linear or oval-shaped image.
Early commercial colour photography process in which the principals of additive colour synthesis were applied.
Automatically adjusts the exposure to match particular light settings.
An electronic flash unit with a light-sensitive cell that determines the length of the flash for proper exposure by measuring the light reflected back from the subject.
System by which the camera lens automatically focuses the image of a selected part of the picture subject.
A camera with a built-in exposure meter that automatically adjusts the lens opening, shutter speed, or both for proper exposure.
Film wind-on mechanism which moves the film on one frame each time the shutter is released.
The light that is present in a scene, either indoors or out, that is not added by the photographer. Also called ambient light or existing light.
Light pointed at the subject from a position close to the camera's lens.
A shutter-speed setting on an adjustable camera that allows for time exposures. When set on B, the shutter will stay open as long as the shutter release button remains depressed.
The part of the scene that appears behind the principal subject of the picture.
Light coming from behind the subject, toward the camera lens, so that the subject stands out vividly against the background. Sometimes produces a silhouette effect.
Information printed on the back of a picture by the photo-finisher. The system standard requires the printing of frame number, film cassette number and processing date automatically on the back of each Advanced Photo System print; may also include more detailed information, such as customized titles and time and date of picture-taking.
The dark coating, normally on the back of a film, but sometimes between emulsion and the base, to reduce halation. The backing dye disappears during the processing.
Distance between the back surface of the lens and the image plane, when the lens is focused at infinity.
A type of shield that prohibits light from entering an optical system.
An exposure compensation introduced when the subject of a picture is lit from behind ( which can fool a camera's metering system, creating a silhouette effect ).
Light coming from behind the subject.
Placement of colours, light and dark masses, or large and small objects in a picture to create harmony and equilibrium.
In balanced fill-flash operation, flash output is controlled to keep it in balance with the ambient light on the scene. Nikon offers Automatic balanced Fill-Flash where flash output is automatically compensated to be in balance with the ambient light.
Are an accessory used on spotlights and flood lamps to control the direction of light and width of the beam.
The chassis of a lens. It usually is cylindrical and contains the lens element and iris diaphragm.
A lens aberration or defect that causes straight lines to bow outward away from the centre of the image.
The material on which the emulsion is coated on film, photographic paper or videotape. Available in a choice of materials, including paper, cellulose, triacetate, glass.
The optical density of an unexposed area of processed film. This takes into consideration the density of both the base and the emulsion.
The initial exposure time used for making a "straight" print. This is determined by using a test strip.
Set of numbers printed on packages of sensitive materials to indicate common production coating.
A method of mounting a lens onto a camera body. The lens is inserted into the camera and given a short turn to lock it into place. Except for a few instances, a bayonet mount camera will not accept bayonet mount lenses made by a different manufacturer. The most common method of lens mounting.
The folding (accordion) portion in some cameras that connects the lens to the camera body. Also a camera accessory that, when inserted between lens and camera body, extends the lens-to-film distance for close focusing.
The exposure compensation necessary when focusing on close subjects, which becomes necessary when the subject is closer than ten times the focal length of the lens. As a lens is placed closer to the subject, focusing the lens causes it to move farther from the film, and, therefore, less light falls on the film. Consequently the exposure must be increased.
A shutter whose blades operate between two elements of the lens.
A simple lens or lens shape within a compound lens, whose surfaces curve toward the optical centre. Such a lens causes light rays to diverge.
An image with 1 bit of colour information per pixel, also known as a bitmapped image. The only colours displayed in a bitmapped image are black and white.
Lightening selected areas of the image using bleaches or reducers. The most common bleach is potassium ferricyanide. Other tonal techniques include burning, dodging, flashing, and toning.
An enlargement; a print that is made larger than the negative or slide.
The art of softening the detail of a image. The process can be applied selectively to portions of an image.
Refers to the area of the picture that the camera will meter for exposure. When making an auto exposure the camera is programmed to look at a number of spots in the scene, and if the camera was designed to use bottom weighted metering, most of those spots will be in the lower half of the picture. (See centre weighted and exposure.)
A adjustable metal arm, attached to a firm stand, on which lighting can be mounted. Some booms are also made to support camera.
Flash illuminating a subject by reflection off a surface as opposed to direct flash, which is flash light aimed straight at the subject.
Flash or tungsten light bounced off a reflector (such as the ceiling or walls) to give the effect of natural or available light.
Simple camera with a fixed, single-element lens and a light-tight box to hold the film. The shutter and aperture are usually pre-determined and unalterable (typically 1/25 sec at ƒ11.) Early consumer cameras developed by George Eastman were box cameras (e.g. the “Brownie” camera) . They could not be focused, per se. The lens was set to a hyper-focal distance that gave acceptably-sharp pictures if the subject was a given distance from the camera and correct exposure depended upon bright sun illuminating the scene.
Taking additional pictures of the subject through a range of exposures-both lighter and darker-when unsure of the correct exposure.
Often called handle mount flash. It comprised of one arm of the L-shaped bracket extends under the camera body and uses the camera's tripod socket to mount the camera on the bracket. The vertical arm of the bracket serves as a handle and mounts a flash unit in an accessory shoe often on top of the handle portion, but there are other methods. Flash mounted in a bracket usually requires a separate electrical cord to make the electrical connection between camera body and flash unit.
One of three dimensions of colour; the other two are hue and saturation. The term is used to describe differences in the intensity of light reflected from or transmitted through an image independent of its hue and saturation
The difference in luminance between the darkest and lightest areas of the subject, in both negative and print.
The intensity of light reflected from a surface. It is sometimes an alternative term for luminosity.
A reflective exposure meter that is a built-in component of a camera so that exposures can be easily made for the cameras position.
A shutter setting marked B at which the shutter remains open as long as the shutter release is held down. This is used for time exposures that are longer than your camera's preset shutter speeds.
Film produced in very long, uncut strips - rolls that are too long to fit into cameras not equipped with a bulk camera back accessory. Many photographers buy their film in bulk, then load the bulk film into a “bulk film loader” which permits them to cut the bulk film into however many frames they wish, and to load the smaller strips into film cartridges that permit film reloading. It is an economical way to purchase film.
Giving additional exposure to part of the image projected on an enlarger easel to make that area of the print darker. This is accomplished after the basic exposure by extending the exposure time to allow additional image-forming light to strike the areas in the print you want to darken while holding back the image-forming light from the rest of the image. Sometimes called printing-in.
Processing system for colour negative film.
Its a flexible cable used for firing a camera shutter. Particularly useful for slow shutter speed and time exposures, when touching the camera may cause camera vibration and blurring of the image.
Various positions of the camera (high, medium, or low; and left, right, or straight on) with respect to the subject, each giving a different viewpoint or effect.
Are mechanical system most common on large format camera which provide the facility for lens and film plane movement from a normal standard position.
Also known as lux and defined as the illumination measured on a surface at a distance of one meter from a light source of one international candle power.
Un-posed pictures of people, often taken without the subject's knowledge. These usually appear more natural and relaxed than posed pictures.
A light tight, factory-loaded film container that can be placed in and removed from the camera in daylight.
The reflection of a light in the subject's eyes in a portrait.
An image's overall shift in colour at any point in the process, from photography to scanning and image processing. The almost white and almost black areas of an image tend to take on a colour -- often red, blue, or yellow -- and display an unnatural appearance.
Yellow, Magenta, Cyan, Red, Green and blue filters that can change the colour balance of the resulting pictures. These filters are most useful for duplicating slides. They come in a range of densities from 0.025 to 0.50 . They are designated by the letters CC the density (without the decimal), and a letter indicating the hue, for example CC10M.
Refers to the area of the picture that the camera will meter for exposure. When making an auto exposure the camera is programmed to look at a number of spots in the scene, and if the camera was designed to use centre weighted metering, most of those spots will be in the centre area of the picture.
A light proof black fabric bag that permits film and other light-sensitive materials to be handled in normal room light. Has a double zipper on one end and two armholes with elastic sleeves on the other.
Characteristic Curve Regions
The characteristics curves are shaped similar to a ski ramp, with the bottom portion sloping up slightly (called the "toe"), a steep middle portion known as the "straight line" and a top portion that begins to flatten out (called the "shoulder"). Both film and paper characteristic curves are similar in shape.
An optical defect of a lens which causes different colours or wave lengths of light to be focused at different distances from the lens. It is seen as colour fringes or halos along edges and around every point in the image.
The colour quality of light which is defined by the wavelength ( hue ) and saturation. Chromaticity defines all the qualities of colour except its brightness.
A colour term defining the hue and saturation of a colour. Does not refer to brightness.
A colour printing process that produces colour prints directly from colour slides.
Commission Internationale de L'Éclairage. An international group that developed a universal set of colour definition standards in 1932.
LAB ( L*a*b* )
A colour model to approximate human vision. The model consists of three variables: L* for luminosity, a* for one colour axis, and b* for the other colour axis.
A chemical that neutralizes hypo in film or paper, reducing wash time and helping to provide a more stable image.
Is the length of time needed for a negative to clear in a fixing solution.
A picture taken with the subject close to the camera-usually less than two or three feet away, but it can be as close as a few inches.
A lens attachment placed in front of a camera lens to permit taking pictures at a closer distance than the camera lens alone will allow.
A threaded means of mounting a lens to a camera.
A lens covered with a very thin layer of transparent material that reduces the amount of light reflected by the surface of the lens. A coated lens is faster (transmits more light) than an uncoated lens.
Individually distinctive notches located near one corner on photographic sheet of film for product identification purposes. When viewed correctly, these code notches will appear at top-left corner or bottom-right corner of the sheet. In this position the emulsion layer is always facing away from the observer.
Are colours at the blue end of the spectrum that suggest a cool atmosphere.
Cold Light Enlarger
A diffusion type of enlarger with fluorescent lamps as the light source. These types of enlarger heads scatter the light more evenly across the surface of the negative. One advantage of the cold light head is that it can render more subtle tonal gradations and will minimize the effect of dust and scratches on the negative which are translated to the print. The cold light head does generate some heat while in operation, but considerably less than its condenser enlarger counterpart.
How a colour film reproduces the colours of a scene. Colour films are made to be exposed by light of a certain colour quality such as daylight or tungsten. Colour balance also refers to the reproduction of colours in colour prints, which can be altered during the printing process.
The effect of one colour dominating the overall look of an image. Often caused by improper exposure, wrong film type, or unusual lighting conditions when shooting the original image.
Gelatin filters that can be used to adjust the colour balance during picture taking or in colour printing. Abbreviated CC filters.
Deeply coloured filters that enables colour film to be used with light of a different colour temperature than it was intended. The 80-series filters are blue enabling you to use daylight-balance film with tungsten light; the 85-series are amber and let you see tungsten film with daylight or electronic flash.
The process of adjusting an image to compensate for scanner deficiencies or for the characteristics of the output device.
Filters used with black-and-white film to correct for the difference in films sensitivity to colour as compared with that of the human eye. Without a filter, for example clouds would be all but invisible against a light blue sky; a yellow filter would darken the sky, thus creating contrast between the sky and the clouds.
A colourless substance contained in colour film emulsions that, when exposed to chemical developing baths forms the colour dyes that make up part of the layers of processed colour films.
A mechanism for controlling colour changes, and matching colours. Colour curves are set by user-adjustable lookup tables that define a colour transform, which may be applied to each primary additive colour in the image.
The amount of colour information recorded by each CCD pixels. The greater the depth, expressed in bits, the truer and richer the colour is recorded.
The range of colours that can be formed by all possible combination of colorants in any colour input system.
A device on a enlarger that contains adjustable built-in filters (yellow, cyan and magenta) for colour printing.
Film processed as a negative image from which positive prints can be made.
Film designed to produce a normal colour positive on the film exposed in the camera for subsequent viewing by transmitted light.
The purity of a colour resulting from the absence of black and white.
The temperature (measured in degrees Kelvin) to which an object would have to be heated before it would radiate a given colour. Each type of light can also be represented by a numerical colour temperature, here are the (rough) colour temperatures of typical lighting conditions:
of light Colour temperature
Incandescent 2500K - 3500K
Fluorescent 4000K - 4800K
Sunlight 4800K - 5400K
Cloudy daylight 5400K - 6200K
Shade 6200K - 7800K
A device for estimating the colour temperature of a light source. Usually used to determine the filtration needed to match the colour balance of the light source with that of standard types of colour film.
Yellow, Magenta and Cyan filters used when making colour prints, in order render the colours correctly or as desired. They come in a range of density from 0.025 to 0.50.
A lens aberration or defect that causes rays that passes obliquely through the lens to be focused at different points on the film plane.
A developer designed to compress the general contrast range in a negative without influencing gradation in the shadow and highlight areas.
1. Any two colours of light that when combined include all the wavelengths of light and thus produce white light.
2. Any two dye colours that when combined absorbs all wavelengths of light and thus produce black. A colour filter absorbs light of its complementary colour and passes light of its own colour.
Is a shutter consisting of a number of metal leaves arranged symmetrically around the edge of the lens barrel
The pleasing, aesthetic, arrangement of the elements within a scene-the main subject, the foreground and background, and supporting subjects.
A well known German brand of compound shutter.
An optical system which concentrates light rays from a wide source into a narrow beam. Condensers are used in spotlights and enlargers.
An enlarger with a sharp, un-diffused light that produces high contrast and high definition in a print. Scratches and blemishes in the negative are emphasized.
A print made by exposing photographic paper while it is held tightly against the negative. Images in the print will be the same size as those in the negative.
The range of difference in the light to dark areas of a negative, print, or slide (also called density); the brightness range of a subject or the scene lighting.
An image made by placing a negative in tight contact with a sheet of photographic paper or other piece of film, then exposing it to light. Although it is usually done with a photographic negative to make a positive. Contact prints can also be made positive to negative, or, with special types of film, positive or negative to negative.
A device used for contact-printing that consists of a light tight box with an internal light source and a printing frame to position the negative against the photographic paper in front of the light.
Traces of chemicals that are present where they don't belong, causing loss of chemical activity, staining, or other problems.
An image, such as a original photographic transparency or print, in which the tones or colours blend smoothly from one to another; also known as a contone.
The difference in brightness between the lightest and darkest parts of a photographic subjects, negative, prints or slide. Contrast is affected by the subject brightness, lighting, film type degree of development, the grade and surface of the printing paper, and the type of enlarger head used.
A coloured filter used on a camera to lighten or darken selected colours in a black and white photograph. For example , a green filter used to darken red flowers against green leaves.
Numbers (usually 1-5) and names (soft, medium, hard, extra-hard, and ultra hard) of the contrast grades of photographic papers, to enable you to get good prints from negatives of different contrasts. Use a low-numbered or soft contrast paper with a high contrast negative to get a print that most closely resembles the original scene. Use a high-numbered or an extra-hard paper with a low-contrast negative to get a normal contrast paper.
Higher-than-normal contrast including very bright and dark areas. The range of density in a negative or print is higher than it was in the original scene.
A simple lens which causes rays of light from a subject to converge and form an image.
A coloured filter used on a camera lens to make black and white film produce the same relative brightness perceived by the human eye. For example, a yellow filter used to darken a blue sky so it does not appear excessively light.
Refers to bluish colours that by association with common objects (water, ice, and so on) give an impression of coolness.
Abbreviation for colour printing filters.
The phenomenon in which lines that are parallel in a subject, such as the vertical lines of a building, appear nonparallel in a image.
A destructive phenomenon in image processing that causes different colours to increase in density at different rates or gammas. The visual effect is a colour difference from image highlight to image shadow.
To trim the edges of an image, often to improve the composition. Cropping can be done by moving the camera position while viewing a scene, by adjusting the enlarger or easel during printing or by trimming the finished print.
Printing only part of the image that is in the negative or slide, usually for a more pleasing composition. May also refer to the framing of the scene in the viewfinder.
A system of using two polarizing filters, one over the light source and one between the subject and the lens. Used in investigations of stress areas in engineering and architectural models.
The four process colours used in printing: cyan, magenta, yellow, and black.
A four-channel image containing a cyan, magenta, yellow, and black channel. A CMYK image is generally used to print a colour separation.
Material used to cover the photographer's head and camera to block surrounding light in order to better view the image on the camera's ground glass viewing screen.
A light tight area used for processing films and for printing and processing papers; also for loading and unloading film holders and some cameras.
Film balance to give correct rendition when shooting under average daylight and flash illumination, approximately 5500K.
Desktop Colour Separation
A file format that creates four colour separations
A fully automatic flash that works only with specific cameras. Dedicated flash units automatically set the proper flash sync speed and lens aperture, and electronic sensors within the camera automatically control exposure by regulating the amount of light from the flash.
The clarity of detail in a photograph.
Describes a negative or an area of a negative in which a large amount of silver has been deposited. A dense negative transmits relatively little light.
An instrument used for measuring the optical density of an area in a negative or print.
Build up of silver deposits in a particular area produced by exposure and development. The more silver present in a shadow, the more the image density. Conversely, the less silver deposit in the highlights, the less the image density. Technically, density is measured in terms of the logarithm of opacity.
Depth of Field
The amount of distance between the nearest and farthest objects that appear in acceptably sharp focus in a photograph. Depth of field depends on the lens opening, the focal length of the lens, and the distance from the lens to the subject. The zone of acceptable sharpness in a picture extending in front of and behind the plane of the subject, that is most precisely focused by the lens. It can be controlled by varying three factors; the size of the aperture; the distance of the camera from the subject; and the focal length of the lens. If the photographer decrease the size of the aperture, the depth of field increases; If the photographer focuses on a distant subject, depth of field will be greater than if the photographer focused on a near subject; and if he/she fitted a wide-angle lens to the camera, it would give the photographer greater depth of field than a normal lens viewing the same scene.
of field scale
Scale on a lens barrel showing the near and far limits of depth of field possible when the lens is set at any particular focus and aperture.
Depth of Focus
The distance range over which the film could be shifted at the film plane inside the camera and still have the subject appear in sharp focus; often misused to mean depth of field.
Chemical solution used to convert the invisible silver halide crystals in the film emulsion into visible metallic silver.
1. The entire process by which exposed film or paper is treated with various chemicals to make an image that is visible and permanent.
2. Specifically, the step in which film or paper is immersed in developer.
A light tight container used for processing film.
Lens opening. A perforated plate or adjustable opening mounted behind or between the elements of a lens used to control the amount of light that reaches the film. Openings are usually calibrated in f-numbers.
An enlarger head that contains yellow, magenta, and cyan filters that can be moved in calibrated stages into or out of the light beam to change the colour balance of the enlarging light.
When light is obstructed by an object and the wave front is changed, interference occurs between components of the altered wave front. The pattern formed by interference is called the diffraction pattern. Many components are designed to yield very specific diffraction effects (diffractive optics, gratings). Other components attempt to counteract this process to determine more information about the obstructing medium (electronic imaging).
A colourless filter inscribed with a network of parallel grooves. These break white light up into its component colours, giving a prism-like effect to highlights.
Light that has lost some intensity by being reflected or by passing through a translucent material. Diffusion softens light, eliminating both glare and harsh shadows, and thus can be of great value in photography, notably in portraiture.
A material that softens light passing through it. The effect is to soften the character of light. The closer a diffuser is to a light source the less it scatters light.
Softening detail in a print with a diffusion disk or other material that scatters light.
An enlarger that combines diffuse light with a condenser system, producing more contrast and sharper detail than a diffusion enlarger but less contrast and blemish emphasis than a condenser enlarger.
An enlarger that scatters light before it strikes the negative, distributing light evenly on the negative. Detail is not as sharp as with a condenser enlarger; negative blemishes are minimized.
The reduction in the strength of a liquid by mixing it with an appropriate quantity of water.
Optical term for the power of a lens. Photographically, it is typically used to indicate the magnification and focal length of close-up lenses.
This is like a focus adjustment that matches the focus of the camera's optical viewfinder to the user's eyesight. This way, users don't have to wear their glasses when using the camera. As some of the viewfinders are quite small and difficult to use with your glasses on dioptre correction can be a welcome option for eyeglass wearers.
A high contrast positive image slide made only from camera ready originals with no negative required.
Light rays of different wavelengths deviate different amounts through a lens causing a rainbow effect around points and edges.
A phenomenon in which straight lines are not rendered perfectly straight in a picture. There are two types of distortion--barrel distortion and pincushion distortion. Distortion cannot be improved by stopping down the lens.
A lens which causes rays of light coming from the subject to bend away from the optical axis.
A graph of density (D) against the logarithm of exposure (log E) Used in sensitometry to compare the sensitivity of different emulsions to light.
Maximum density. The greatest density in an image. Also, the greatest density possible for a particular film or paper.
Minimum density. The smallest density in a image. Also, the smallest density possible for a particular film or paper.
Dots per inch: a measure of image resolution.
Holding back the image-forming light from a part of the image projected on an enlarger easel during part of the basic exposure time to make that area of the print lighter. Other tonal techniques include burning, flashing, toning, and bleaching.
Two pictures taken on one frame of film, or two images printed on one piece of photographic paper.
Is a vented cabinet equipped with suspension clips for drying films.
Are marks on the film emulsion caused by uneven drying and resulting in areas of uneven density, which may show up in the final print.
A thin paper coated with adhesive on both sides for permanently adhering a photograph to a support. The adhesive is softened by heat and hardens when it cools.
A copy of a slide or transparency made without an inter-negative or special duplicating film. Frequently used as an intermediate image for other print subjects.
DX Data Exchange
Electrical coding system employed in 35 mm format film that communicates film speed, type and exposure length to the camera.
Chemical processing system for most colour-reversal (slide) film.
A device to hold photographic paper flat during exposure, usually equipped with an adjustable metal mask for framing.
The reference numbers printed by light at regular intervals along the edge of 35mm and roll films during manufacture.
see exposure index
Micro-thin layers of gelatine on film in which light-sensitive ingredients are suspended; triggered by light to create a chemical reaction resulting in a photographic image.
The side of the film coated with emulsion. In contact printing and enlarging, the emulsion side of the film-dull side-should face the emulsion side of the photo paper-shiny side.
A print that is larger than the negative or slide; blow-up.
A device consisting of a light source, a negative holder, and a lens, and means of adjusting these to project an enlarged image from a negative onto a sheet of photographic paper.
Available light. Strictly speaking, existing light covers all natural lighting from moonlight to sunshine. For photographic purposes, existing light is the light that is already on the scene or project and includes room lamps, fluorescent lamps, spotlights, neon signs, candles, daylight through windows, outdoor scenes at twilight or in moonlight, and scenes artificially illuminated after dark.
The quantity of light allowed to act on a photographic material; a product of the intensity (controlled by the lens opening) and the duration (controlled by the shutter speed or enlarging time) of light striking the film or paper.
Many camera have the ability to force the camera to overexpose or underexpose an image during capture. This can be done for effect or to compensate for some particular lighting situation. This is often referred to as EV compensation.
A figure by which the exposure indicated for an average subject and/or processing should be multiplied to allow for non-average conditions. Usually applied to filters. Occasionally to lighting. Processing, etc Not normally used with through-the-lens exposure meters.
index ( EI )
A film speed rating similar to an ISO rating abbreviated EI.
The range of camera exposures from underexposure to overexposure that will produce acceptable pictures from a specific film.
An instrument with a light-sensitive cell that measures the light reflected from or falling on a subject, used as an aid for selecting the exposure setting. The same as a light meter.
The date stamp on most film boxes indicating the useful life of the material in terms of maintaining its published speed and contrast.
Tubes made from metal and, more frequently, plastic inserted between the lens and the camera, thereby making the lens to film distance greater. The result is increased magnification for close-up photography.
Device used to provide the additional separation between lens and film required for close-up photography.
see exposure value
A highlight in the eye or the small light placed near the camera to produce it.
A built-in device that prevents light from entering the viewfinder eyepiece.
See filter factor
The loss of or change of colour density, generally accelerated by exposure to sunlight.
Decrease in the intensity of light as it spreads out from the source.
Is film which has an emulsion that is very sensitive to light. These film have high ISO ratings.
Is a lens with a wide maximum aperture ( low f number ).
Fibre Based Paper
Photographic paper without a resin (plastic) coating. Processing times are longer than for other papers, but the paper probably has more archival permanence than resin coated papers.
(See other paper types: variable contrast, graded contrast, resin coated.)
A lens aberration or defect that causes the image to be formed along a curve instead of on a flat plane.
Additional light from a lamp, flash, or reflector; used to soften or fill in the shadows or dark picture areas caused by the brighter main light. Called fill-in flash when electronic flash is used.
A technique that uses flash illumination as a supplement to ambient light. Useful when photographing subjects that are backlit, with very high-contrast lighting or in shadow.
A photographic emulsion coated on a flexible, transparent base that records images or scenes.
Flexible support on which light sensitive emulsion is coated.
This curve describes a graphical relationship between the logarithm of the exposure value (horizontal axis) and density (vertical axis) of film. Each brand of film may exhibit a different characteristic curve.
Metal or plastic clips used to prevent the curling of the film during the drying.
A light-tight, removable device for holding film on many medium-format. This allows the photographer to preload the film so he can quickly change rolls of film.
Length of protective film at the beginning of a roll of unexposed or processed film.
The plane on which the film lies in a camera. The camera lens is designed to bring images into focus precisely at the film plane in a camera to ensure correctly exposed pictures.
A part of the camera back which, when closed against the film guide rails, creates a very precise tunnel in which the film is flatly positioned for sharpness.
The sensitivity of a given film to light, indicated by a number such as ISO 200. The higher the number, the more sensitive or faster the film. Note: ISO stands for International Standards Organization.
A coloured piece of glass or other transparent material used over the lens to emphasize, eliminate, or change the colour or density of the entire scene or certain areas within a scene.
The increased exposure needed to compensate for the amount of light absorbed by a filter. A factor of two indicates you need to give the film one stop more exposure; a factor of three needs two stops and a factor of six needs three stops more.
Several filters used together, as in a enlarger for colour printing or when duplicating slides, in order to obtain the best or desired colour in the image.
Film or developer that produces images in which areas of uniform tone appear smooth, with no clumping of the silver particles that form the image.
Are film developers which help to keep grain size in the photographic image to a minimum.
A viewing device on a camera to show the subject area that will be recorded on the film. Also known as viewfinder and projected frame.
Extreme wide-angle lens with an angle of view exceeding 100 degree and sometimes in excess of 180 degree. depth of field is practically infinite and focusing is not required.
Describes a non-adjustable camera lens, set for a fixed subject distance.
A lens that has been focused in a fixed position by the manufacturer. The user does not have to adjust the focus of this lens.
A chemical solution (sodium thiosulfate or ammonium thiosulfate) that makes a photographic image sensitive to light. The fixer stabilizes the emulsion by converting the undeveloped silver halides into water-soluble compounds, which can then be dissolved away. Also called hypo.
A solution that removes any light-sensitive silver-halide crystals not acted upon by light or developer, leaving a black-and-white negative or print unalterable by further action of light. Also referred to as hypo.
The soft effect visible in a picture resulting from stray light which passes through the lens but is not focused to form the primary image. Flare can be controlled by using optical coating, light baffles and low reflection surfaces , or a lens hood.
A brief, intense burst of light from a flashbulb or an electronic flash unit, usually used where the lighting on the scene is inadequate for picture-taking.
Is a number which provides a guide to correct exposure when using Flash. See also Guide number
A device for measuring the light coming from a electronic flash and indicating the appropriate aperture for correct exposure. Some flash meter can also measure the ambient light.
The maximum distance from which a flash can effectively illuminate a subject. Most built-in flashes are effective to about 12-15 feet. Range varies by brand, so check the specification carefully.
A special socket on a camera that allows the attachment of an auxiliary strobe light for flash pictures. It is synchronized to the camera's shutter so the light goes off at the right time.
Pre-exposing the paper to a very diffused white light in order to reduce the contrast level between the highlights and shadows and extend the tonal range. Other tonal techniques include burning, dodging, toning, and bleaching.
Too low in contrast. The range in density in a negative or print is too short.
Lighting that produces very little contrast or modeling on the subject plus a minimum of shadows.
An electric light designed to produce a broad, relatively diffused beam of light.
A number that indicates the size of the lens opening on an adjustable camera. The common f-numbers are f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The larger the f-number, the smaller the lens opening. In this series, f/1.4 is the largest lens opening and f/22 is the smallest. Also called f-stops, they work in conjunction with shutter speeds to indicate exposure settings.
The distance between the film and the optical centre of the lens when the lens is focused on infinity. The focal length of the lens on most adjustable cameras is marked in millimetres on the lens mount.
The plane on which the image of a subject is brought to focus behind the lens. To produce a sharp picture, the lens must be focused so that this place coincides with the plane on which the film sits. Also called the film plane.
An opaque curtain containing a slit that moves directly across in front of the film in a camera and allows image-forming light to strike the film.
The point on a focused image where the rays of light intersect after reflecting from a single point on a subject.
Adjustment of the distance setting on a lens to define the subject sharply.
System of moving the lens in relation to the image plane so as to obtain the required degree of sharpness of the film.
A dark cloth used in focusing a view camera. The cloth fits over the camera back and the photographer's head to keep out light and to make the ground glass image easier to see.
The range within which a camera is able to focus on the selected picture subject - 4 feet to infinity - for example.
Used for focusing on a subject or composing a picture; the focusing screen is located at a position equivalent to that of the film plane. To provide dispersion, a matte field made of specially ground glass or plastic is generally used for focusing screens.
An overall density in the photographic image cause by unintentional exposure to light or unwanted chemical activity.
Darkening or discolouring of a negative or print or lightening or discolouring of a slide caused by
exposure to non-image-forming light to which the photographic material is sensitive, too much handling in air during development, over-development, outdated film or paper, or storage of film or paper in a hot, humid place.
The area between the camera and the principal subject.
The basic method of recreating a broad spectrum of colours on a printing press.
One individual picture on a roll of film. Also, tree branch, arch, etc., that frames a subject.
Pattern of a special form of condenser lens consisting of a series of concentric stepped rings, each ring a section of a convex surface which would, if continued, form a much thicker lens. Used on focusing screens to distribute image brightness evenly over the screen.
Light shining on the side of the subject facing the camera.
Is an average gradient of a characteristic curve, describing similar characteristics to gamma, but measuring the slope from a line joining the lower and upper of the curve actually used in practice.
The medium used on photographic materials as a means of suspending light-sensitive silver halides.
Are filters cut from dyed gelatine sheets and held in front of the lens or studio light.
In time exposure photography, an object that is only partially recorded on the film and therefore has a translucent, ghost-like appearance. Some people also refer to " flare " as a ghost image.
Describes a printing paper with a great deal of surface sheen. Opposite: matte.
A smooth transition between black and white, one colour and another, or colour and no-colour.
Printing paper containing a single layer of emulsion of a specific contrast range. To change the overall contrast level, you must change to another grade of paper. (See other paper types: variable contrast, resin coated, fibre based.)
A classification system for specifying the degree of paper contrast, ranging from 0 (very soft) to 5 (very hard).
(See paper types: variable contrast, graded contrast, resin coated, fibre based.)
A smooth spread between colours.
Clumps of silver-halide grains in film and paper that constitute the image. These grains are produced both in the exposure process (film grain) and in the development process (paper grain). Unlike film, the grain in printing paper is largely responsible for the image tone. Graininess is most noticeable in even, mid-tone areas of a print.
The sand-like or granular appearance of a negative, print, or slide. Graininess becomes more pronounced with faster film and the degree of enlargement.
A card that reflects a known percentage of the light falling on it. Often has a grey side reflecting 18 percent and a white side reflecting 90 percent of the light. Used to make accurate exposure meter readings (meter base their exposures on a grey tone of 18 percent reflectance) or to provide a known grey tone in colour work.
A shade of grey assigned to a pixel. The shades are usually positive integer values taken from the grey-scale. In a 8-bit image a grey level can have a value from 0 to 255.
An image type that contains more than just black and white, and includes actual shades of grey. In a greyscale image, each pixel has more bits of information encoded in it, allowing more shades to be recorded and shown. 4 bits are needed to reproduce up to 16 levels of grey, and 8 bits can reproduce a photo-realistic 256 shades of grey.
An image consisting of up to 256 levels of grey, with 8 bits of colour data per pixel.
A piece of glass roughened on one side so that an image, focused on it can be seen on the other side.
A number used to calculate the f-setting (aperture) that correctly exposes a film of a given sensitivity (film speed) when the film is used with a specific flash unit at various distances from flash to subject. To find out the f-setting, divide the guide number by the distance.
Is a diffused ring of light typically formed around small brilliant highlight areas in the subject. It is caused by light passing straight through the emulsion and being reflected back by the film base on the light sensitive layer. This records slightly out of register with the original image.
The reproduction of a continuous-tone image, made by using a screen that breaks the image into various size dots.
A light line around object edges in a image, produced by the USM (sharpening) technique.
A frame for holding sheet film during processing in a tank.
A paper developer that can be used alone or in combination with other developers (two-bath development). When used alone, a hard developer can produce a wide range of tones. Contrast can be varied by changing paper grades, changing filtration, or using a softer developer to obtain intermediate contrast grades.
(See paper types: variable contrast, graded contrast, resin coated, fibre based.)
Are chemicals often used with a fixing bath to strengthen the physical characteristics of an emulsion. The most common hardeners are potassium or chrome alum.
Another name for the D/log E curve, after its originators, Ferdinand Hurter and Vero C. Driffield.
A wide range of density in a print or negative.
A light image that is intentionally lacking in shadow detail.
The whitest or brightest part of an image; the opposite of shadows.
Important bright areas (highlights) of a scene in which detail must be recorded (exposed) onto the film. Highlights are represented on a negative by dense deposits of black metallic silver, reproducing as the bright areas on a print. (Also see shadow detail.)
Grid which makes light from a flash (or other source) more directional, like a spot rather than a flood.
The fitting on a camera that holds a small portable flash. It has an electrical contact that aligns with the contact on the flash unit's "foot" and fires the flash when you press the shutter release. This direct flash-to-camera contact eliminates the need for a PC cord.
Concentration of light in a particular area.
The aspect of colour that distinguished it from another colour (what makes a colour red, green, or blue). Hue is distinct from saturation, which measures the intensity of the hue.
Distance of the nearest object in a scene that is acceptably sharp when the lens is focused on infinity.
The name for a fixing bath made from sodium thiosulfate, other chemicals, and water; often used as a synonym for fixing bath.
Chemical solutions used to speed up the efficient removal of fixer from the prints in subsequent water washings of the prints.
Is the plane commonly at right angles to the optical axis at which a sharp image of the subject is formed. The nearer the subject is to the camera, the greater the lens image plane distance.
The amount of data stored in an image file, measured in pixels per inch (ppi).
An electrical lamp in which the filament radiates visible light when heated in a vacuum by an electrical current.
Light falling onto a surface, not reflected from it (reflected light).
A hand-held Exposure meter that measures the intensity of light falling on the subject. To use it, you usually aim the hemispheric dome toward the camera. Most incident meter can also be used in a mode to measure reflected light.
Film formulated to give correct colour rendition when photographing subjects under 3200K light. It is also called "tungsten" film. Most film is balance for daylight and if you use daylight film with household lamps or photographic lamps, the colours will be slightly reddish or orange. The light from an electronic flash is similar in colour rendition to daylight.
In photographic terms is a distance great enough to be unaffected by finite vibration. In practice this relates to most subjects beyond 1000 meters or in landscape terms, the horizon. When the infinity distance is within the depth of field all objects at that distance or farther will be sharp.
The region of the electromagnetic spectrum adjacent to the visible spectrum, just beyond red with longer wavelengths.
Integration in photographic analysis is defined as the method of averaging all density ( illumination ) values either in R, G, and B, or as neutral density and saving this aggregate value to determine exposure in the camera or the darkroom.
The relative brightness of a portion of the image or illumination source.
A negative created directly from a colour-reversal (positive) or black-white positive film. It is the negative copy of the camera original.
A positive transparency image generated as an intermediate step to enlarge an image in positive form either from a negative or positive material.
A law of physics that states that light from a point source fall off inversely to the square of the distance. As a example, if a light is 10 feet from your subject and you move it to 20 feet, you'll only have 1/4 the lighting intensity. If you move the light to 40 feet, it will now have only 1/16th the intensity.
Creating a negative of an image
The emulsion speed (sensitivity) of the film as determined by the standards of the International Standards Organization. In these standards, both arithmetic (ASA) and logarithmic (DIN) speed values are expressed in a single ISO term. For example, a film with a speed of ISO 100/21° would have a speed of ASA 100 or 21 DIN.
Joint Photographic Experts Group. This group established a standard method for compressing and decompressing digitised photos or images. The high-resolution images provided with Photo Disc are compressed according to JPEG standards.
Kodak's chemical process for developing Kodachrome slides.
Abbreviation for Kelvin temperature, the measurement of the redness or blueness of white light. This is written without the degree sign. Daylight at noon, for example, has a Kelvin temperature of about 5500K, while photographic tungsten lamps are 3200K. Technically it is a measurement of the colour of white or grey based on the temperature to which a black body must be heated to produce that colour of white.
A studio light used to control the tonal level of the main area of the subject.
Distortion of a projected image when the projector is not directed perpendicular to the screen.
A general term used to describe the various kinds of artificial light sources used in photography.
Is a old term used to described transparencies.
Is a general term for any camera having a picture format of 4x5 inches or larger.
The invisible image left by the action of light on photographic film or paper. The light changes the photosensitive salts to varying degrees depending on the amount of light striking them. When processed, this latent image will become a visible image either in reversed tones (as in a negative) or in positive tones (as in a colour slide).
A mirror image, as seen in the viewfinders of some cameras where the scene appears flipped from left to right.
Is the degree by which exposure can be varied and still produce an acceptable image. The degree of latitude varies by film type. Faster films tend to have greater latitude than slower films.
Liquid Crystal Display on cameras that shows such information as remaining exposures, flash status and aspect ratio selected.
A camera mechanism that admits light to expose film by opening and shutting a circle of overlapping metal leaves.
One or more pieces of optical glass or similar material designed to collect and focus rays of light to form a sharp image on the film, paper, or projection screen. A lens made of a single piece of glass cannot produce very sharp or exact images, so camera lenses are made up of a number of glass "elements" that cancel out each other's weakness and work together to give a sharp true image. The size, curvature and positioning of the elements determine the focal length and angle of view of a lens.
The physical opening of a lens. The smaller the f/number the more light passes through.
A metal or plastic tube with a blackened inner surface, in which the lens elements and mechanical components of the lens are mounted.
Is a plastic, rubber or metal cover which fits over the front or back of the lens to protect it.
A layer or multiple layers of thin anti-reflective materials applied to the surface of the lens elements to reduce light reflection and increase the amount of transmitted light.
A collar or hood at the front of a lens that keeps unwanted light from striking the lens and causing image flare. May be attached or detachable, and should be sized to the particular lens to avoid a vignette.
A camera with the shutter built into the lens; the viewfinder and picture-taking lens are separate.
The largest lens opening (smallest f-number) at which a lens can be set. A fast lens transmits more light and has a larger opening than a slow lens.
A box of fluorescent tubes balanced for white light and covered with translucent glass or plastic. Used for viewing, registering or correcting prints , film negatives and positives.
Is an alternate term for exposure meter.
A general term applied to any source of light used in photography.
The ratio between the key and fill lights.
Refers to any room or containers that is absolutely dark inside, allowing no unwanted light to penetrate.
Images containing only black and white pixels. Line art may also include one-colour image, such as mechanical blue prints or drawings.
Lines per inch.
A measure of resolution, usually screen frequency in halftones.
Some of the newer digital cameras are now coming with a lithium rechargeable battery pack. Lithium batteries are lighter and more costly than NiMH or NiCad type of rechargeable cells and can be rapidly charted.
A type of film made primarily for use in graphic arts and printing. It produces an image with very high contrast.
A dark image that is intentionally lacking in highlight detail.
Lightness. The highest of the individual RGB values plus the lowest of the individual RGB values, divided by two; a component of Hue-Saturation- Lightness image.
The brightness of either a light source or a reflective surface.
A measurement of the light intensity. One Lux in video means light level of a candle light. l Lux approximately equals to 10 foot-candles (1 Lux = 10.764 fc).
These are supplementary elements attached to the front of a normal lens to give an extreme close-up facility.
A lens that provides continuous focusing from infinity to extreme close-ups, often to a reproduction ratio of 1:2 (half life-size) or 1:1 (life-size).
A light tight metal container (cartridge) that holds 135 film (cylindrical magazine).
Same as " Key light " the principal source of light, usually in a studio, and generally the brightest light on a subject or scene.
A mode of camera operation in which all exposure settings are determined and set by the photographer.
An area of medium brightness, neither a very dark shadow not a very bright highlight. A medium grey tone in a print.
Photo-finishing operation that operates on a retail level, serving consumers directly and processing film on-site.
A light built into a flash unit that remains on while the flash is turned or on standby mode, permitting the photographer to assess highlight and shadow areas that will be created when subsequently exposing the film in the brighter light of the flash.
An undesirable pattern in colour printing, resulting from incorrect screen angles of overprinting halftones. Moiré patterns can be minimized with the use of proper screen angles.
Is a single solution which combines developer and fixer for processing b&w negatives. It is a quick simple system but does not allow for development control.
Single-coloured. An image or medium displaying only black and white or greyscale information. Greyscale information displayed in one colour is also monochrome.
A one-leg stand for holding the camera steady.
Large format camera (usually, though there are medium format examples) constructed on an " optical bench " principle with front and rear standards on a rail.
A mechanism for advancing the film to the next frame and re-cocking the shutter, activated by an electric motor usually powered by batteries. Popular for action-sequence photography and for recording images by remote control.
Also called a dry-mounting press. A device that provides both pressure and heat, for mounting a photograph on a support, using a tissue coated with heat-softenable adhesive.
Also called mounting tissue. A thin paper coated with adhesive on both sides for permanently adhering a photograph to a support. The adhesive is softened by heat and hardens when it cools.
Large format camera movements to help focus, shape, composition or converging angles (swing, shift & tilt ).
More than one exposure on the same frame of film. Called a " Double-exposure " when there are two exposures on a single film frame.
Filter or Neutral Density Filter
A filter that attenuates light evenly over the visible light spectrum. It reduces the light entering a lens, thus forcing the iris to open to its maximum.
The developed film that contains a reversed tone image of the original scene.
A device designed to hold the negative in proper position in an enlarger.
Describes a grey camera filter which has a equal opacity to all colours of the spectrum and so does not affect the colours in the final image. It is used to reduce the amount of light entering the camera when apertures or shutter must remain constant.
A pattern of concentric, multi-coloured, rainbow like rings occasionally introduced into a scanned or enlarged image and caused by contact of the transparency, or negative film, with the glass plate used in some scanners or enlargers. Using Anti Newton glass within the negative carrier/scanner can reduce or eliminate the rings.
Rechargeable batteries that use an alkaline electrolyte. They have a longer life than non-rechargeable batteries. NiCad batteries have a memory, so they need to be run all the way down before recharging. Otherwise, they will begin to run out of power sooner.
metal hydride (NiMH)
A rechargeable battery that lasts longer than a NiCad and has no memory, so it is easier to manage.
A lens that makes the image in a photograph appear in perspective similar to that of the original scene. A normal lens has a shorter focal length and a wider field of view than a telephoto lens, and a longer focal length and narrower field of view than a wide-angle lens. With 35mm cameras the standard lens is usually 50mm.
Notches cut in the margin of sheet film so that the type of film and its emulsion side can be identified in the dark.
A meter which determines exposure by reading light reflected from the film during picture-taking.
Denotes film sensitive to blue and green light.
The degree to which an object blocks light. Technically, opacity is expressed as a ratio of the incident light to the transmitted light.
Is increasing the size of the lens aperture or decreasing the shutter speed to admit more light to the film.
Is an imaginary line passing horizontally through the centre of a compound lens system.
A viewfinder system that shows a similar view to that seen by the camera lens ( as on 35mm compact cameras ) Useful because it uses no power, but can cause parallax and focus errors.
An optical zoom is made to bring you closer to your subject, without you having to move. Zooms are constructed to allow a continuously variable focal length, without disturbing focus. To achieve this, the optical zoom uses a combination of lenses that magnify the image prior to being registered at high resolution by the sensor. While the digital zoom only changes the presentation of existing data, the optical zoom actually augments the data collected by the sensor. Optical zooms are superior to digital zooms.
( Ortho film )
Black-and-white emulsions that are not equally sensitive to all colours of light. They are more sensitive to blue and green, but not sensitive to red light.
Refers to an image created when the rays of light passing through a lens fall upon a plane in front of or beyond the point at which they converge to form a sharp image. Out-of-focus images appear blurred or fuzzy.
To give more than normal the amount of development.
A condition in which too much light reaches the film, producing a dense negative or a very light slide.
Loss of chemical activity due to contact with oxygen in the air.
Is the support for the emulsion used in printing papers.
This curve describes a graphical relationship between exposure values (horizontal axis) and image density (vertical axis) of a printing paper. Each brand of paper may have a different initial characteristic curve and graded paper curves will be different than variable contrast paper curves. The shape of the curve can be altered by different developers, development times, temperatures, and toning.
Is a light-tight container for unexposed photographic papers, with an easy open positive closing lid.
Is a numerical terminological description of paper contrast: numbers 0-1 soft; numbers 2 normal; number 3 hard; number 4-5 very hard; number 6 ultra hard. Similar grade number from different manufactures do not have the same characteristics.
Designation of films that record all colours in tones of about the same relative brightness as the human eye sees in the original scene, sensitive to all visible wave-lengths.
Moving the camera so that the image of a moving object remains in the same relative position in the viewfinder as you take a picture.
A broad view, usually scenic.
Camera with a special type of scanning lens which rotates. Or a static lens camera with a wide format e.g. 6cm x 17cm.
With a lens-shutter camera, parallax is the difference between what the viewfinder sees and what the camera records, especially at close distances. This is caused by the separation between the viewfinder and the picture-taking lens. There is no parallax with single-lens-reflex cameras because when you look through the viewfinder, you are viewing the subject through the picture-taking lens.
Occurs when shooting very close up with a viewfinder camera. The photographer does not see an accurate indication of the subjects position relative to the lens, so parts of the subject that he or she thinks will be photographed are missing on the final photograph. Parallax error is overcome in more expensive compact and viewfinder cameras which adjust the viewfinder to compensate for the distance the subject is away from the camera.
Focusing system in some compact cameras that compensates for the difference between viewfinder and lens placement.
Regularly and accurately spaced holes punched throughout the length of 35 mm film for still cameras.
File Index Print
A basic system feature that makes ordering reprints and enlargements easy; the small print shows a positive, "thumbnail"-sized version of every picture on an Advanced Photo System film roll; accompanies all prints and negatives returned in the sealed film cassette by the photo-finisher; each thumbnail picture is numbered on the index print to match negative frames inside the cassette.
A photographic composition assembled from pieces of different photographs or of different negatives, closely arranged or superimposed upon each other. Sometimes graphic material is added to the combination.
A standard file format for exchanging graphics or image information.
A lens aberration or defect that causes straight lines to bow inward toward the centre of the image.
1. A small clear spot on a negative usually caused by dust on the film during exposure or development or by a small air bubble that keeps developer from the film during development.
2. The tiny opening in a pinhole camera that produces an image.
A simple camera that utilises the properties of the pinhole lens.
Pixels per inch, a measure of the resolution of a computer display or digital image.
A single dot on a computer display or in a digital image.
The point in a camera where all the light rays converge, forming a sharp image. In a camera, this corresponds to the film plane.
A filter that transmits light traveling in one plane while absorbing light traveling in other planes. When placed on a camera lens or on light sources, it can eliminate undesirable reflections from a subject such as water, glass, or other objects with shiny surfaces. This filter also darkens blue sky.
A term used for a simple, easy to use camera with a minimum of user controls. Generally the user turns the camera on , aims it at the subject and presses the shutter button. The camera does everything automatically.
A filter that reduces reflections from non-metallic surfaces such as glass or water by blocking light waves that are vibrating at selected angles to the filter. Also used to darken a blue sky, thusly making clouds stand out more.
A camera back that uses instant film for proofing a scene (checking lighting, composition & basic exposure ) before shooting with traditional film.
The opposite of a negative, an image with the same tonal relationships as those in the original scenes-for example, a finished print or a slide.
To soak film briefly in water prior to immersing it in developer.
The set of colours that can be mixed to produce all the colours in a colour space; in additive systems they are red, green, and blue, while in subtractive systems they are cyan, magenta, and yellow.
A positive picture, usually on paper, and usually produced from a negative.
A device used for contact printing that holds a negative against the photographic paper. The paper is exposed by light from an external light source.
The amount of detail a printer or image-setter will reproduce, measured in dots per inch (dpi).
Developing, fixing, and washing exposed photographic film or paper to produce either a negative image or a positive image.
The four colour pigments cyan, magenta, yellow, and black used in colour printing.
An exposure mode on an automatic or auto focus camera that automatically sets both the aperture and the shutter speed for proper exposure.
See Finder, View Finder.
Decreasing the effective speed of film, often to compensate for a mistake in setting ISO. It is usually done by decreasing the development time or the temperature of the developer.
To expose film at a higher film speed rating than the normal, then to compensate in part for the resulting underexposure by giving greater development than normal. This permits shooting at a dimmer light level, a faster shutter, or a smaller aperture that would otherwise be possible.
Increasing the development time of a film to increase its effective speed (raising the ISO number for initial exposure) for low-light situations; forced development.
A device included on many cameras as an aid in focusing.
Any device used to reflect light onto a subject.
Light bounced off a subject, not falling on it (incident light).
Most films are designed to be exposed within a certain range of exposure times-usually between 1/15 second to 1/1000 second. When exposure times fall outside of this range-becoming either significantly longer or shorter-a film's characteristics may change. Loss of effective film speed, contrast changes, and (with colour films) colour shifts are the three common results. These changes are called reciprocity effect.
In photographic emulsions occurs when exposure times fall outside a films normal range. At these times an increase in exposure is required in addition to the assessed amount. This can be achieved either by increasing intensity or time.
States that exposure = intensity x times, where intensity is equal to the amount of light and time is equal to the time that amount of light is allowed to act upon the photographic emulsion.
Is the time it takes a flash unit to recharge between firings.
The appearance of deep red dots in the eyes of human and animal photographic subjects. Redeye is is caused by the flash reflecting off the retina in their eyes. It can be prevented by adjusting the camera angle, being sure the subject does not look straight at the flash, or with a redeye-reducing pre-flash. The pre-flash causes the subjects' pupils to contract, reducing the visible retina and thus the possibility of light reflecting from it.
A special flash mode whereby a pre-flash or a series of low-powered flashes are emitted before the main flash goes off to expose the picture. This causes the pupil in the human eye to close and helps eliminate red-eye.
Are solution which removes silver from negatives and prints. They are used to diminish density and alter contrast on a photographic emulsion.
Is a chemical in a developing solution which converts exposed silver halides to black metallic silver.
Is a measurement by a light meter of the amount of reflected light being bounced off the subject. The light meter is pointed towards the subject.
Is a numerical value indicating the light bending power of a medium such as glass. The greater the bending power, the greater the refractive index.
Are rays of light which strikes a surface and bounce back again. Specular reflection occurs on even, polished surfaces; diffuse reflection occurs on uneven surfaces, when light scatters.
Any material or surface that reflects light. Reflectors are often used in photography to soften the effect of the main light or to bounce illumination into subjects shadows.
Is a numerical value indicating the light bending power of a medium such as glass. The greater the bending power, the greater the refractive index.
The rate at which an image is redrawn on a CRT. This is needed because the phosphors at each pixel are stimulated by the electron gun for only a brief time. The faster the refresh rate, the more stable an image will appear on the screen.
Small crosshair on film used to align individual layers of film negatives.
A substance added to some types of developers after use to replace exhausted chemicals so that the developer can be used again.
To change the resolution of an image. Re-sampling down discards pixel information in an image; re-sampling up adds pixel information through interpolation.
Photographic paper with the emulsion coated in a resin (plastic). Processing times are shorter than for other papers, but the paper may not exhibit the same archival permanence of fibre based paper.
(See other paper types: variable contrast, graded contrast, fibre based.)
The resolving power of a lens is a measure of its ability to closely spaced objects so they are recognizable as individual objects. It is determined by photographing a series of closely spaced lines, measuring the spacing between the most closely spaced lines that appear separate on film. The resolving power is expressed as the number of lines pairs per millimetre.
The number of pixels per inch in an image, or the number of dots per inch used by an output device.
Cracking or distorting of the emulsion during processing, usually caused by wide temperature or chemical-activity differences between the solutions.
Altering a print or negative after development by use of dyes or pencils to alter tones of highlights, shadows, and other details, or to remove blemishes.
A process for making a positive image directly from film exposed in the camera; also for making a negative image directly from a negative or a positive image from a positive transparency.
Film that produces a positive image (transparency) on exposure and development.
Red, green, and blue, the additive primaries; RGB is the basic additive colour model used for colour video display, as on a computer monitor.
Lighting in which the subject appears outlined against a dark background. Usually the light source is above and behind the subject, but rimlit photographs can look quite different from conventional backlit images, in which the background is usually bright.
A circular-shaped electronic flash unit that fits around a lens and provides shadowless, uniform frontal lighting, especially useful in close-up photography.
A circular lamp or bundles of optical fibres arranged around the perimeter of an objective lens to illuminate the object in the field below it. A wide variety of sizes are available on both a stock and custom basis.
Is a brief clean water wash between steps of a processing cycle to reduce carry-over of one solution into another.
A general composition guideline that divides the negative frame into thirds horizontally and vertically to position the subject.
An enclosed darkroom lamp fitted with a filter to screen out light rays to which film and paper are sensitive.
A photographic film whose base is fire-resistant or slow burning. At the present time, the terms "safety film" are synonymous.
An attribute of perceived colour, or the percentage of hue in a colour. Saturated colours are called vivid, strong, or deep. De-saturated colours are called dull, weak, or washed out.
The angle at which the halftone screens are placed in relation to one another.
The density of dots on the halftone screen, commonly measured in lines per inch (lpi). Also known an screen ruling.
Choosing a lens opening that produces a shallow depth of field. Usually this is used to isolate a subject by causing most other elements in the scene to be blurred.
Mechanism delaying the opening of the shutter for some seconds after the release has been operated. Also known as delayed action.
In photography, refers to materials that react to the actinic power of light.
An instrument with which a photographic emulsion is given a graduated series of exposure to light of controlled spectral quality, intensity, and duration. Depending upon whether the exposures vary in brightness or duration, the instrument may be called an intensity scale or a time scale sensitometer.
Is the scientific study of the response of photographic materials to exposure and development. It establishes emulsion speeds and recommended development and processing times.
Important dark areas (shadows) of a scene in which detail must be recorded (exposed) onto the film. Shadows are represented on a negative by sparse deposits of black metallic silver, reproducing as the dark areas on a print. (Also see highlight separation.)
Film that is cut into individual flat piece. Used in large format view camera, with sizes like 4x5, 8x10 and 11x14 inches. Also called cut film.
Is the length of time unused material or chemicals will remain fresh.
Movement on large format camera ( or special " shift lens " in other formats ) which can eliminate converging angles.
Refers to the distance between the subject and the film plane.
Blades, a curtain, plate, or some other movable cover in a camera that controls the time during which light reaches the film.
An exposure mode on an automatic or auto focus camera that lets you select the desired shutter speed; the camera sets the aperture for proper exposure. If you change the shutter speed, or the light level changes, the camera adjusts the aperture automatically.
The mechanical or electromechanical button that releases the shutter and takes the exposure.
The duration that the shutter is held open during an exposure. A typical range is from 1 full second to 1/1000 of a second. Combined with the lens aperture it controls the total amount of exposure.
Light striking the subject from the side relative to the position of the camera; produces shadows and highlights to create modeling on the subject.
A camera that has few or no adjustments to be made by the picture-taker. Usually, simple cameras have only one size of lens opening and one or two shutter speeds and do not require focusing by the picture-taker.
Single-Lens-Reflex (SLR) Camera
A camera in which you view the scene through the same lens that takes the picture.
A dark image outlined against a lighter background.
Generic name for a group of light sensitive compounds of silver combined with a halogen, such as bromine, chlorine, iodine, or fluorine. Silver halides change from white to black metallic silver when exposed to light.
A UV filter with a pale rose tinge to it eliminate a blue colour cast caused by haze, it may be kept in place permanently to protect the lens from dust and scratching.
A transparency (often a positive image in colour) mounted between glass or in a frame of cardboard or other material so that it may be inserted into a projector.
Film used in making slides. Also known as " Transparency film ," " Positive film " or " Reversal film. "
Is film having an emulsion with low sensitivity to light. Typically films having an ISO or 50 or less.
Film which has a small maximum aperture. (i.e. f8 )
An informal photograph, especially one taken quickly by a simple, hand-held camera.
The active ingredient in most fixer.
A paper developer that can be used alone or in combination with other developers (two-bath development) to achieve more subtle contrast control. Commonly used with graded papers to achieve intermediate grades, that is, to soften the contrast.
(See paper types: variable contrast, graded contrast, resin coated, fibre based.)
Produced by use of a special lens that creates soft outlines.
Lighting that is low or moderate in contrast, such as on an overcast day.
A bright reflection from a light source containing little or no detail.
Light rays that are highly redirected at or near the same angle of incidence to a surface. Observation at this angle allows the viewer to "see" the light source.
A measure of the sensitivity to light of a photographic emulsion.
Light passing through a convex lens will be brought to different focus depending upon whether the light passes through near the centre of the lens or closer to the periphery. Lens designers strive to correct this kind of zonal aberration to bring peripheral and near-central rays to a common focus.
Retouching a processed print with a pencil or brush (with watercolours or dyes) to eliminate spots left by dust or scratches on the negative.
Is an artificial light source using a fresnel lens, reflector, and simple focusing system to produce a strong beam of light of controllable width.
An exposure meter that measures the light reflected from a small area of the subject Hand-held spot meters may measure an area as small as one degree; those built into the camera may measure a somewhat larger area.
A processing solution used in colour processing to make the dyes produced by development more stables.
Discoloured areas on film or paper. Usually caused by contaminated developing solutions or by insufficient fixing, washing, or agitation.
Lens with a focal length approximately equal to the diagonal of the film format with which it is used. With 35mm this is usually 50mm.
A printed series of density increases, in regular steps from transparent to opaque. its a method of making exposure tests when enlarging.
An already existing picture that can be purchased for use instead of having a photograph specifically made.
A concentrated chemical solution that is diluted before use.
An acid rinse, usually a weak solution of acetic acid, used as a second step when developing black-and-white film or paper. It stops development and makes the hypo (fixing bath) last longer.
Changing the lens aperture to a smaller opening; for example, from f/8 to f/11.
Combining cyan, magenta and yellow inks (or other colorants) to create black; each ink subtracts from the white incident light, until nothing is left except black.
back / front
term used to describe the movable lens and back panels of most view and monorail cameras. They allow manipulation of perspective and depth of field.
An electrical cord connecting a flash unit with a camera so that the two can be synchronized.
Setting that holds the camera shutter open until the shutter dial is turned or release is press the second time. This setting differs from " B" (Bulb) that is usually is a stand alone setting and never drains the battery power and thus ideal for really long time exposures.
A lens that makes a subject appear larger on film than does a normal lens at the same camera-to-subject distance. A telephoto lens has a longer focal length and narrower field of view than a normal lens.
Large tank or deep tray filled with water maintained at the correct temperature for processing. Used to house tanks, drums or trays as well as containers of processing solutions.
A strip of printing paper that is given a series of incremental exposure times (such as 3, 6, 9, 12 seconds) in order to determine the ideal base exposure time.
Trademark for patented Kodak film emulsion technology.
A negative that is underexposed or underdeveloped (or both). A thin negative appears less dense than a normal negative.
Some cameras, such as compact cameras, allow the addition of additional lenses to increase the telephoto range or allow greater magnification for macro work. The most convenient way to add these accessory lenses is by means of a threaded lens. The end of the lens housing has threads that these other lens can thread into, which an adapter can be attached to accept the accessory lenses.
Viewing a scene to be photographed through the same lens that admits light to the film. Through-the-lens viewing, as in a single-lens-reflex (SLR) camera, while focusing and composing a picture, eliminates parallax.
Meter built into the camera determines exposure for the scene by reading light that passes through the lens during picture-taking.
Miniature pictures, resembling slides, that the Light-Box catalog displays. Each thumbnail contains specific information for each image that comes with Photo-Disc.
Tagged Image File Format, a file format for exchanging bitmapped and grayscale images among applications.
A comparatively long exposure made in seconds or minutes.
Shades of white in a finished print, controlled by the colour of the paper, varying from white to buff.
The degree of lightness or darkness in any given area of a print; also referred to as value. Cold tones (bluish) and warm tones (reddish) refer to the colour of the image in both black-and-white and colour photographs. A black and white photograph is made up of a series of grey tones. Controlling these tones allows us to control the nature of the photograph, both emotionally and technically. Since the number of grey tones is so large it needs to be broken down from a continuous range to a series of distinct zones. These zones make up what is known as the Zone System.
Values, Tonal Range
The range of tone (zones) within a particular area or scene.
Intensifying or changing the tone of a photographic print after processing. Solutions called toners are used to produce various shades of colours. Soaking the print in selenium to help darken the black areas and give the print an overall feeling of "richness". Other tonal techniques include burning, dodging, flashing, and bleaching.
Light which is passed through a transparent or translucent medium.
A positive photographic image on film; viewed or projected by transmitted light (light shining through film).
Information storage layer built into Advanced Photo System film that enables enhanced information exchange capabilities, improving print quality by capturing lighting and scene information and other picture-taking data; basis for future information exchange features.
A three-legged supporting stand used to hold the camera steady. Especially useful when using slow shutter speeds and/or telephoto lenses.
Through the lens ( TTL ) automatic flash output control uses a light sensor that measures the flash intensity through the lens, as reflected by the subject on the film, then shuts off the flash when the measurement indicates a correct exposure.
Light from regular room lamps and ceiling fixtures, not fluorescent.
The use of two different developers to alter the contrast in a print.
(See soft developer, hard developer.)
Colour film balance to produce accurate colour renditions when the light source that illuminates the scene, has a colour temperature of about 3400K as does a photoflood.
See tungsten film.
The part of the spectrum just beyond violet. Ultraviolet light is invisible to the human eye but strongly affects photographic materials.
Is a reduction in the degree of development. It is usually caused by shortened development time or a decrease in the temperature of the solution. It results in a loss of density and a reduction in image contrast.
A condition in which too little light reaches the film, producing a thin negative, a dark slide, or a muddy-looking print.
A one-legged support used to hold the camera steady.
Is a filter which is used to absorb ultraviolet (UV) radiation.
Is a camera back with a perforated plate through which air is drawn by a pump. A sheet of film is therefore sucked flat against the plate and held firmly during exposure used for special large format cameras such as copying devices where dimensional accuracy is critical.
Is a compact printing frame which ensures firm contact between the film and paper by excluding air between the surfaces. Some types are used to hold up the paper flat on the enlarger baseboard when enlarging.
A measure from white to black, the higher the value, the darker the image.
A lamp containing a gas or vapour that glows with light when an electric current passes through it. Mercury, neon and sodium vapour lamps produce strongly coloured light. The light from fluorescent tubes is closer to daylight.
Is the point at which parallel lines, viewed obliquely, appear to converge in the distance.
Photographic paper that provides different grades of contrast when exposed through special filters.
Is a large format camera which has a ground glass screen at the image plane for viewing and focusing.
A fall-off in brightness at the edges of an image or print. Can be caused by poor lens design. Using a lens hood not matched to the lens. Attaching too many filters to the front of the lens.
Is a printing technique where the edges of the picture are gradually faded out to black or white. It also refers to a fall off in illumination at the edges of an image, such as may be caused by a lens hood or similar attachment partially blocking the field of view of the lens.
The portion of the electromagnetic spectrum that the human eye can see.
A lens that has a shorter focal length, and a wider field of view, than a standard lens.
Diluted photographic chemicals ready for use. These tend to be 'one-shot' i.e. use then throw away. Some, such as fixers, some toners, stop baths etc can be re-used.
A lens in which the focal length can be altered. In effect, this gives you lenses of many focal lengths.
Invented by Ansel Adams and Fred Archer in the 1940's, the Zone System is a means of making an exposure in a scientifically accurate manner. The Zone system breaks the black and white tones into 10 zones or "scales" ranging from complete black with no visible texture (Zone I) to pure white with no visible texture (Zone X). Zone V is the middle grey tone. The Zone System of Exposure is widely used today.